The beginning is promising, at any rate, as you watch a Don't-Care Bharath limp sorrowfully from the Central Jail, in a scruffy beard and glasses.
He has been incarcerated for 17 years. Naturally, there's a story which rewinds from 1989. In those halcyon days, he's an unruly youngster in pretty village Sivasailam, the son of a hard-working flower-sellers (Rajesh and Yuvasri), with Thapaal Thangavelu (Vadivelu), who provides as much laughter as the posts he delivers.
Life is a long, sunny adventure for Murugesan who beats people up, sells his grandfather's land, runs over rooftops (like the rooster of the title) and incurs so much of his father's wrath that he's prophesied to meet a horrible end. Not that this gloomy prospect affects Murugesan—he continues on his own sweet way until he runs smack into Parijatham (debutante Poonam Bajwa), a demure, fair-complexioned, striking Iyer girl, the daughter of Panjami Iyer (Y. G. Mahendran) and the younger sister of Gayatri (Simran).
Thus we have the first half which is a series of rollicking fun interspersed with logical sequences; the two have sudden and quirky escapades.
In the meantime, the village's bigwig (Sampath Raj), who is magnanimous in public and a tyrant at home, casts his eyes on Parijatham. What sets his characterization apart is that he is not your average villain who shrieks and carries away the heroine; he places his pawns carefully, and is afraid of being found out. He and Murugesan come close to breaking each other's bones many times—but the situations defuse themselves in a perfectly natural fashion.
ballem (2010)
The beginning is promising, at any rate, as you watch a Don't-Care Bharath limp sorrowfully from the Central Jail, in a scruffy beard and glasses.
He has been incarcerated for 17 years. Naturally, there's a story which rewinds from 1989. In those halcyon days, he's an unruly youngster in pretty village Sivasailam, the son of a hard-working flower-sellers (Rajesh and Yuvasri), with Thapaal Thangavelu (Vadivelu), who provides as much laughter as the posts he delivers.
Life is a long, sunny adventure for Murugesan who beats people up, sells his grandfather's land, runs over rooftops (like the rooster of the title) and incurs so much of his father's wrath that he's prophesied to meet a horrible end. Not that this gloomy prospect affects Murugesan—he continues on his own sweet way until he runs smack into Parijatham (debutante Poonam Bajwa), a demure, fair-complexioned, striking Iyer girl, the daughter of Panjami Iyer (Y. G. Mahendran) and the younger sister of Gayatri (Simran).
Thus we have the first half which is a series of rollicking fun interspersed with logical sequences; the two have sudden and quirky escapades.
In the meantime, the village's bigwig (Sampath Raj), who is magnanimous in public and a tyrant at home, casts his eyes on Parijatham. What sets his characterization apart is that he is not your average villain who shrieks and carries away the heroine; he places his pawns carefully, and is afraid of being found out. He and Murugesan come close to breaking each other's bones many times—but the situations defuse themselves in a perfectly natural fashion.
