The first frame of a film speaks a thousand words. It tells you a lot about what to expect through the running time. In 'Chaurya’s case, it tells you to expect a lot and fortunately, you get what you expect too.

Though the disclaimers talks of it being a fictitious story, it’s quite easy to connect the dots. 'Chaurya' is based in a town that prides itself in being one with no doors; the belief being that the presiding deity of the town guards its residents. This belief goes for a toss when the temple’s donation money itself gets stolen. A mission to nab the thieves is launched but the fact that the culprits were dressed as policemen and had masks on, makes the task difficult. On the outskirts of the town, another plot is unfolding, albeit a confusing one. Four people (two of whom are believed to be involved in the theft) are embroiled in a heated argument over who has the money. So who really has the stolen wealth?