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Critic Review
Yaara (2020)A beefy Vidyut Jammwal and a brooding Amit Sadh, playing the two male leads, are called upon to put in the hard yards in a film that never quite gets off the ground. Written and directed by Tigmanshu Dhulia, Yaara straddles five decades - from the early 1950s to the late 1990s - and yet seems caught in a time warp.
The blotchy action film would have us believe that it is an epic saga. Despite all its surface flourish and expansive historical allusions, it is trapped in a constricted bandwidth. The core of the film is exasperatingly hollow. In the bargain, the end result falls short of matching the overt ambition of the enterprise..
Yaara has its moments, but they are simply too few and far between to make an impact and change the course of the film. This outing has no chance of being ranked among Dhulia's best works. It is far too wayward to sustain audience interest all the way thr.
Yaara has its moments, though sporadically, which will keep you wanting for more till the end. However, the slow pace of the film, poor editing and screenplay make it less impressive..
The only way to work a testosterone-laden, bullet-riddled sprawling desi Western-cum-crime saga, is to keep it believable. I’m quite happy to watch young men, drunk on the power of can-do-anything youth, swagger about, especially if they aren’t the ov.
