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Critic Review
Raja RaniJames ( Arya) and Regina (Nayanatara) get married to each other to fulfil the wishes of their parents. They do not like each other and constantly quarrel over small things. James has a drinking problem and he comes home after midnight every single time. As a result, there is no conversation between the two and they do not even know each other’s phone numbers.
In such a state, Regina suffers an attack of fits and she is admitted to the hospital. When the doctor asks James about Regina’s medical history and personal details, he realises that he knows nothing about his wife.
He makes an attempt to start a conversation with Regina and discovers that she has a tragic love story. His respect and love for Regina grows. At about the same time, Regina comes to known about the failed love story of James, and she too develops respect towards her husband.
At about this time, Regina gets an offer to work in Australia for a while. Will she go on and leave James behind? That forms the story of this film..
Director Atli Kumar had worked as an assistant to Shankar for ‘Robo’. Coming to Raja Rani, he has dealt with two love stories at a time in a superb way. He stood successful in showing Nayanatara as a rebel; Jai as a faint-hearted whereas Arya as a cra.
"Just because people you love, leave you, doesn't mean you have to follow them. Life goes on. It will definitely change for the better and one day you will want to start living again.".
Trimming down the film by at least fifteen to twenty minutes will make it far better than what it is now. Despite the shortcomings, Raja Rani has enough to make you sit till the end and cherish the romantic moments. Most of the married couples can relate .
The film will go well with A Centre audiences. But one has to wait and watch how far the audience will connect to this movie. Bottomline: This Raja Rani will steal our hearts..
‘Raja Rani’ is a decent love story that is let down by slow pace at times and some boring moments. The film may appeal to multiplex crowds and A center audiences, but it will not find much traction in B and C centres. You may give this film a shot as .
