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Critic Review
Dishkiyaoon (2014)Dishkiyaoon movie is about the Mumbai underworld. Story in detail: Born in the upper middle class society, Viki had no mother and his father had no time for him. The cold loneliness of Viki's world left him weak and tainted from within. Absence of love and care pushed Viki to find acceptance in other places. One such place was just a road away from his plush apartment- THE GANGSTER‐LAND. Viki finds love and acceptance, where bullets don't warn before firing. Interpersonal relationships are complex, situations are twisted. Ambitions break free, as Viki sets his eyes on the top‐spot in gangster‐land. He backs himself to de‐throne the existing king. Where people use might, Viki uses his mind. A game of dice begins. Each throw unfolds deception, double‐cross, uncertainty, mystery and shock. It all comes down to one final throw of dice and Viki must roll a six to win. Given a choice between ambition and revenge, only a deadly mind would pick both. Viki picks both. Big dreams, big cost. Actions have consequences. A gun shot doesn't discriminate, it makes the same sound for every ear- 'DISHKIYAOON'..
The music of Dishkiyaoon starts off well though the concluding portions don't quite keep the momentum on. Ultimately, and as has been the case for many a Arijit sung number, it is 'Tu Hi Hai Aashiqui' which acts as the ammunition that makes the album go '.
It just means that you got so engrossed in trying to make sense of this haphazardly put-together story, you didn’t have much time to realise there’d be the big reveal at the end of it for you to apprehend..
In Dishkiyaoon, there isn’t a single figure that springs out of the too-clever-by-half but essentially vacuous screenplay and imprints himself on the mind.
This is Shilpa Shetty and Raj Kundra’s first production and they should have come out with a.
The screenplay, written by the director himself, has no proper emotional hook anywhere to make audience feel interested in it. Instead, it just drags and bore audience to death. The film ends up another attempt in presenting a slick film, without substanc.
