KAISAY KAHEIN is a love story that pits romance against career. Aditya [Raajveer] is a young banker with a bright future. At the age of 25, he's earmarked as the one most likely to climb into the COO's chair. He doesn't have a personal life except his work and is happy about it. Till Radhika [Neha Julka] steps into his life.
Radhika is a TV journalist and loves her work. She has left her native Mangalore and is dead certain that nothing, but nothing is going to keep her away from being the hottest young property in journalism. On the job 24/7, she conducts a sting operation during which she encounters Aditya. They fall in love, deeply in love, but their careers remain the priority.
Aditya can't leave his burgeoning career opportunities when Radhika decides to take a much-awaited promotion that would take her to another city, away from Aditya. It's not easygoing for either, but they give the long-distance relationship a try.
Director Mohit Hussein, who along with Surindra Bhatia has penned the screenplay, never loses focus all along; they remain faithful to the core issue. But there's a major flaw in the writing: It's the girl who commits the mistakes most of the times, but the guy is made to feel guilty every time and even apologizes for it. In fact, the guy is at the receiving end all through, even in the finale. Why?
Kaisay Kahein (2007)KAISAY KAHEIN is a love story that pits romance against career. Aditya [Raajveer] is a young banker with a bright future. At the age of 25, he's earmarked as the one most likely to climb into the COO's chair. He doesn't have a personal life except his work and is happy about it. Till Radhika [Neha Julka] steps into his life. Radhika is a TV journalist and loves her work. She has left her native Mangalore and is dead certain that nothing, but nothing is going to keep her away from being the hottest young property in journalism. On the job 24/7, she conducts a sting operation during which she encounters Aditya. They fall in love, deeply in love, but their careers remain the priority. Aditya can't leave his burgeoning career opportunities when Radhika decides to take a much-awaited promotion that would take her to another city, away from Aditya. It's not easygoing for either, but they give the long-distance relationship a try. Director Mohit Hussein, who along with Surindra Bhatia has penned the screenplay, never loses focus all along; they remain faithful to the core issue. But there's a major flaw in the writing: It's the girl who commits the mistakes most of the times, but the guy is made to feel guilty every time and even apologizes for it. In fact, the guy is at the receiving end all through, even in the finale. Why? .
